
Baltimore Choral Arts Society
Digital Concert Program
About the Artists
Baltimore Choral Arts Society
Baltimore Choral Arts Society builds a stronger, more connected, more inspired community by celebrating the joy of choral music through exceptional performances and diverse educational and artistic partnerships. Baltimore Choral Arts Society, currently celebrating 60 years of choral innovation, is one of Maryland's premier cultural institutions. Under the leadership of Music Director Anthony Blake Clark, The Symphonic Chorus, Chorus, and Chamber Singers perform throughout the Mid-Atlantic region, as well as in Washington, D.C., New York, and in Europe, and collaborate with other prestigious organizations, such as the Baltimore Symphony Orchestra, National Philharmonic, and Maryland Symphony Orchestra. In June 2025, Choral Arts went on its third European tour under the direction of Maestro Clark, with performances in Amsterdam, Lübeck, and Berlin, and concluded with an appearance at the CHORALSPACE festival at the Berliner Philharmonie, directed by Simon Halsey. Baltimore Choral Arts provides several thoughtful and impactful music education programs that serve youth in and around Baltimore. These programs include CoroLAB, a partnership with Overlea High School and Eastern Technical High School's choral music programs; Vocal Fellows, an expanded professional development program for early-career singers; Student Composer Project, a competition for high-school and college composers; and Sing and Play, a series of free early childhood music classes presented in partnership with the Enoch Pratt Free Library. Through these educational programs, Choral Arts serves the very young to early-career adult musicians. As part of an ongoing effort to make choral music accessible to the greater Baltimore community, Choral Arts offers multiple free concerts and workshops every year through its Discovery Series. Recent Discovery performances have included Baltimore’s Big Sing, presented in collaboration with Artscape, and Come-and-Sing workshops featuring choral-orchestral masterworks with the Peabody Graduate Conducting Studio, under the direction of Marin Alsop. For the previous 25 years, WMAR Television, the ABC network affiliate in Maryland, featured Choral Arts in an hour-long special, Christmas with Choral Arts, which won an Emmy Award in 2006. In 2022, Christmas with Choral Arts was broadcast on Maryland Public Television, bringing the performance to new audiences. In 2022, Choral Arts collaborated with composer Jasmine Barnes to present Mozart’s Requiem Reframed, which was recorded by Maryland Public Television for the Emmy® Award-winning episode, Artworks: Dreamer. The ensemble has been featured frequently on The First Art (Public Radio International) Performance Today (National Public Radio) and VOX (XM Radio). In Europe, Choral Arts was featured in a program devoted to the music of Handel broadcast on Radio Suisse Romande. Baltimore Choral Arts Society recently celebrated the release of their newest album, Dreamer, on Acis Records, featuring Maestro Clark’s new edition of Mozart’s Requiem and Portraits: Douglass and Tubman, an original commission by Jasmine Barnes. Choral Arts has two other recordings in current release: Christmas at America's First Cathedral, recorded at the Baltimore Basilica, which includes familiar Christmas favorites as well as premieres by Rosephanye Dunn Powell and James Lee, III, and a recording with Dave Brubeck, featuring Brubeck’s oratorio, The Gates of Justice, which was released internationally on the NAXOS label in 2004; Choral Arts is also featured on Introducing the World of American Jewish Music on Naxos, and a live recording of the Rachmaninoff All-Night Vigil. Other awards and recognitions include the 2020 Chorus America/ASCAP Alice Parker Award, the 2020 American Prize in Community Chorus Conducting (Anthony Blake Clark), and the 2020 Emmy Award nomination for the 2019 Christmas with Choral Arts broadcast.
Anthony Blake Clark

Anthony Blake Clark is a leading voice among his generation of choral conductors. He is in demand by both amateur and professional choral artists because of his “readily apparent musicality” (Baltimore Sun) and his conviction that lives can be changed by participating in classical music, whether on the stage or in the audience. Dr. Clark has performed with some of the most important ensembles in legendary venues throughout the USA and Europe. He has prepared choral ensembles for prestigious orchestras such as the Rundfunkchor Berlin with the Berliner Philharmoniker, Baltimore Symphony Orchestra, Chicago Symphony Orchestra, City of Birmingham Symphony Orchestra, Vienna Radio Orchestra, Dallas Symphony Orchestra, and the Richmond Symphony Orchestra for esteemed conductors such as Marin Alsop, Sir John Eliot Gardiner, Fabio Luisi, Mirga Gražinytė-Tyla, and Simon Halsey. He and his choirs have performed at the Berlin Philharmonie, the Vienna Konzerthaus, Symphony Hall Birmingham (UK), St. Martin-in-theFields London, The Kennedy Center, and the Washington National Cathedral, among others. In the summer of 2025, Clark will lead choirs on a European tour with performances including his fourth appearance at the Philharmonie Berlin, a concert in the historic St. Thomas Church in Leipzig, and a featured engagement at the Prague Summer Nights Festival. At Baltimore Choral Arts, Clark has expanded subscription concert offerings while building a robust community outreach and education initiative. He has consistently received glowing reviews, both for work on the podium and as chorusmaster for performances with the Baltimore Symphony and other area partners. His work with BCAS has been recognized with an American Prize in Choral Conducting and a second nomination for best community ensemble, as well as the Chorus America/ASCAP Alice Parker Award. He conducts and produces the celebrated “Christmas with Choral Arts” television concert, first on ABC2 and now on Maryland PBS station MPT, for which the ensemble has received three regional Emmy® nominations. Clark has secured invites to several important festivals and collaborations; after a sold-out and enthusiastically received UK tour, BCAS was in residence with the City of Birmingham Symphony Orchestra for performances of Mahler’s 8th Symphony (soon to be repeated in a joint performance under Fabio Luisi with the Dallas Symphony). Recently, Clark and Baltimore Choral Arts made their Berlin Philharmonie debut with the Freie Universität Orchester. On the same tour, BCAS collaborated with the Vienna Singakademie to perform with the Vienna Radio Orchestra under Marin Alsop. Recently, Baltimore Choral Arts appeared once again with Marin Alsop, this time at the Washington National Cathedral in performances of Mahler’s Resurrection Symphony with the National Orchestra Institute. Maestro Clark has recently been appointed as the Jean D. Wilson Chair Chorus Director for the Dallas Symphony. After preparing three critically praised programs for the Dallas Symphony Chorus in 2022 and 2023, Music Director Fabio Luisi appointed Clark to become Chorus Director beginning in the 2023–2024 season. In Dallas, Clark administers the choral programs of the Dallas Symphony, preparing the 200-voice ensemble for classical and pops programs. Highlights in his tenure include Brahms’ Ein Deutsches Requiem, Schmidt’s Das Buch mit Sieben Siegeln, and a European tour with stops at the Philharmonie Berlin, St. Thomas Leipzig, and Smetana Hall in Prague. The Dallas Symphony Chorus under Clark’s preparation can be seen on Medici TV (Orff’s Carmina Burana and Catulli Carmina) and DSO’s “Next Stage” streaming platform (Beethoven’s 9th Symphony). Upcoming recordings on the Dallas Symphony’s label featuring Clark’s choral preparation include Wagner’s Ring Cycle and Schmidt’s Das Buch mit Sieben Siegeln. Anthony Blake Clark also served as Artistic Director of Bach Vespers in New York City. In residence at Holy Trinity Lutheran Church in midtown Manhattan, Clark and the Bach Choir and Players presented works of Bach using historically informed practices within the liturgical context of a Vespers service. He has also served as the James Erb Choral Chair Interim Director of Choruses for the Richmond Symphony Orchestra. He currently serves as Co-Artistic Director of the Amalfi Music Festival’s Choir Week, where he leads choral performances and residencies on Italy’s Amalfi Coast. Maestro Clark is equally adept in the orchestral field and made his Baltimore Symphony debut in 2021 and his Richmond Symphony debut in 2022. He has also appeared as cover conductor for the National Symphony Orchestra, assisting conductors such as Ton Koopman, Gianandrea Noseda, Teddy Abrams, Christoph Eschenbach, and Manfred Honeck, and has assisted Marin Alsop at the Baltimore Symphony. He is also adept in opera repertoire, having conducted the North American premiere of Jonathan Dove’s Monster in the Maze, in addition to his work as assistant conductor and/or chorusmaster for The Merry Widow, Albert Herring, and Götterdämmerung. He was recently asked to guest conduct Choral Space’s At the Opera gala at the Berlin Philharmonie with over 300 singers and the Frei Universität Orchestra. During the 2025–2026 season, he will make his debut appearances with the Boston Symphony Orchestra, Vienna Singakademie, Amarillo Opera, and Amarillo Symphony. Dr. Clark is a passionate teacher and served as Director of Choral Activities at The George Washington University in DC. His university choirs performed at the Kennedy Center and National Cathedral and sang with the Washington Chorus, Baltimore Choral Arts, Naval Academy Glee Club, and the Baltimore and Annapolis Symphonies. Recently he was Guest Conductor/Lecturer for the Westminster Choir College Symphonic Choir. He regularly leads workshops and clinics for school and community ensembles. Legacy and mentorship are paramount to Maestro Clark’s musical philosophy; he is a mentee of Marin Alsop’s, having worked with her extensively and studied with her at the Peabody Institute, of whose doctoral conducting program he is now an alumnus. Dr. Clark completed his Doctor of Musical Arts degree in Orchestral Conducting under Alsop’s mentorship at the Peabody Institute. Maestro Clark completed a master’s degree under three-time Grammy Award winner Simon Halsey CBE at the United Kingdom’s University of Birmingham and considers Halsey his lifelong mentor. During his time in the UK, he embedded himself in the choral life of the country and sang under the batons of Sir Simon Rattle, Edward Gardiner, and Andris Nelsons, and had opportunities to conduct the London Symphony Chorus and the CBSO Chorus. Other teachers include Simon Carrington (Yale Norfolk Festival, Sarteano Workshop) and Lynne Gackle (Baylor University). An active composer and arranger, Anthony Blake Clark’s music has been performed in Washington DC, London, Oxford, Texas, and at Prague’s Dvořák Museum Concert Hall. In 2022 his new performance edition of Mozart’s Requiem was recorded by Acis Records.
Leo Wanenchak

Leo Wanenchak enjoys a fulsome career as conductor, pianist, organist, vocalist, composer, narrator, clinician, and teaching artist. This is his 21st year with the Baltimore Choral Arts Society. He studied conducting with its founder, Theodore Morrison. In 2016 he was named Associate Conductor. In addition to preparing and performing with the chorus in the acclaimed Choral Arts Concert Series and outreach, He has prepared the chorus for performances with the Baltimore Symphony Orchestra under the batons of Marin Alsop, Jack Everly, John Storgårds and Yuri Temirkanov. Community outreach and education are hallmarks of Leo’s métier. He is the director of “The Larks,” a women’s vocal ensemble, community service project of the Junior League of Baltimore, bring the gift of song to the underserved. He developed and is director of “ParkinSonics” choral ensemble for the Johns Hopkins Hospital Department of Neurology in conjunction with the Johns Hopkins Center for Music and Medicine. This past year members of ParkinSonics were featured in a Kennedy Center webinar with Reneé Fleming, “Music and the Mind Live” and participated in the Iowa State University Neuromotor Lab Virtual Singing Festival with Parkinsons singers worldwide. He has served as Director of The Maryland Camerata at the University of Maryland Baltimore County, the Children’s Chorus of Maryland, and on the faculty of the Peabody Preparatory as Director of Arts for Talented Youth, Chair of the Piano Department and member of the Dean’s Council. Formerly the Academic Dean and Director of the Walden School Choral Program, Leo is a devoted advocate of new music. During his over 35 years at Walden and the Peabody, he mentored over 1,000 young composers and world premiered over 1,500 of their works. His students have been awarded by the Music Teacher’s National Association and Broadcast Music Incorporated. With the founding generation of The Walden school, he founded Avivo.com, creative, comprehensive, and customized education for musicians. Mr. Wanenchak’s appearances include performances at Carnegie Hall, Riverside Church, and Grace Cathedral. He has also performed in England, France, Greece, The Netherlands and Romania. He is a sought-after clinician and maintains a large private teaching studio in Bolton Hill, Baltimore.
Baltimore Choral Arts Society
Anthony Blake Clark, conductor
Leo Wanenchak, associate conductor
Abreu, Antonio
Amet, François
Ayres, Ashleigh
Barth, Tom*
Battista, Valerie
Bensberg, Eloise
Berger, Sarah*
Blair, Jean Shaffer
Blakely, Martha
Boyd, Sandra
Brosius, Shelley
Buchanan, Kelly
Burkhart, Tom
Chen, Eunju Chung
Cimorelli, Chris
Collins, Christine M.
Cordova, Marisabel
Correia, Shirlanna
Crist, Noah
DeVito, Elizabeth
Dias, Chris
Diaz Dodson, Melanie
Ding, Arthur
Drew, Connor
Edgar, Amanda
Evans, Becca
Files, Sandra
Finkelstein, Carla
Frankenberger, David
Freund, Rob
Furlane, Michael
Gee, Eric
Gephardt-Gorsuch, Louis
Gilmore, Steven
Goetz, Lauren
Haar, Caroline
Heilman, Ruth
Hengen, Carl*
Hengen, Patricia*
Horetsky, Danielle
Husselbee, Claire
Kaper, James
Kesar, Avery
Koch, Erin S.
Lang, Julie
Lanoue, Marc L.
Layton, Christine
Lieberman, Benjamin
Lieberman, Robert
Liedahl, Elizabeth
Lindsay, Thomas
Losemann, Sandra
Marin, Juliana*
McCoy, Brendan*
McDonald, Lauren*
McGonigle, Elizabeth
Miller, Glenn**
Moore, Rachael Altemose
Mountain, Michael
Myers, Alexander
Ostrander, Darin
Paglinauan, Nerissa
Pickett, Clark D.
Ramirez-Sanchez, Jorge
Rickelton, Michael*
Rivera, Sarah
Russell, Liz
Samuelsen, Kristen
Schleger, Jacob
Scofield, James
Scofield, Melody
Sekar, Priya
Serrero, Ginette
Sheets, Lindsay
Shively, Karen
Slotkin, Joel
Smith, Jennifer Simone*
Speers, Mary
Sweatman, Alan
Sweatman, Kelly
Tanenblatt, Rachel*
Teeter, Tim
Tempest, Bryce
Thompson, Eric
Timmons, Shelbi
Toy, Raymond
VanGorder, Adam
Vaeth, Elisabeth
West, Natalie
Weyandt, Dan
Williams, Lauren
Wilson, Ryan
Wolf, Laura
Wolf, Lynn
Womble, Nancy
Woods, Steven R.
Wopat, Dave
Worthington, Norah
Wright, Erin
Wright, John*
Zukowski, Adam
*Baltimore Choral Arts Vocal Fellows, made possible in part by the Angell Foundation
** Guest Basso Profundo
The Chorus Council
Kelly Buchanan, chorus manager | Kelly Sweatman, treasurer
Dan Weyandt, music librarian | Sandra Boyd, board-chorus liaison
Amanda Edgar, Lynn Wolf, Adam Zukowski, and Tom Barth, section representatives
Martha Blakely, chorus at large representative